Film festivals have been forced to reassess both the methods by which they perform their operations and the means by which they attract new participants as a consequence of the COVID-19 epidemic, which has resulted in travel restrictions, theatre cancellations, and a statewide lockdown. This is because the outbreak has resulted in travel restrictions, the cancellation of theatre events, and a lockdown across the entirety of the state. Film festivals are increasingly resorting to streaming services in order to screen movies that have not yet been released in theatres in addition to movies that have been selected by the organisers of the festival to be screened at the festival. Films that have already been shown at the festival can be viewed alongside the films that are being presented here. Both the filmmakers’ prerecorded remarks and their participation in live video chats will be streamed by the event’s organisers in order to improve the overall quality of the filmmakers’ virtual experience. The filmmakers will give prerecorded remarks and participate in live video chats.
As a direct result of this, cybercriminals are substantially more inclined to steal content off of the internet, with unreleased movies being the most common target. The B2C SVOD services domain has recently gone through a period of remarkable expansion, and the equivalent notions of identity management and credential sharing can be used to virtual film festivals with the same level of success. The practise of screen capture has been made substantially easier because to a number of factors, including the absence of any kind of physical control or enforcement during movie premieres as well as the movement of premium content from public to private locations. The relocation of premium content from public to private locations is another factor that contributes to the ease with which this process can be carried out.
Using content that is secured by DRM protected content is one approach that organisers and distributors have employed in order to prevent pirates from accessing premium streaming content. Other methods include using content that is protected by digital rights management (DRM). Utilizing content that is protected by digital rights management (DRM) in addition to other security measures is yet another option. Recordings of live broadcasts can also be utilised in this manner, despite the fact that digital rights management (DRM) is the way that is more widely used. The use of forensic watermarking, which is a type of technology that protects videos, is an effective method for preventing the theft of digital content and establishing ownership, copyright, and authenticity. This is because forensic watermarking is a type of video protection technology. This is due to the fact that forensic watermarking is a form of digital fingerprinting that a computer is able to read. The fact that this is the case can be explained by the fact that forensic watermarking is a type of video protection technology. A wide variety of different watermarking methods can be utilised in order to successfully encode metadata into the video stream. This can be done in a number of different ways. A few examples of the metadata that falls under this category include a user ID, an Internet Protocol address, and time stamps. This metadata may be utilised as forensic evidence in order to ascertain who is responsible for the infringement and to locate the origin of the violation.
There is a possibility that production companies and independent filmmakers will demand a level of precision that cannot be provided by video watermarking. This scenario is risky. The ability to recognise certain user accounts or streaming sessions is one concrete demonstration of this general concept. [Citation needed] [Citation needed] [This is a prime example] Utilizing a method known as session-specific watermarking, which entails the incorporation of a digital signature into each one of a user’s individual sessions, is one method that can be utilised to successfully achieve this objective. The application of a technique known as session-specific watermarking is required in order to accomplish this goal. You only need to have access to two distinct versions of the information to be able to construct manifests that are unique to each session that you are working on. After that, a content delivery network may periodically and routinely store these manifests in its cache (CDN). This method does not require the use of any third-party libraries in order to be carried out in an appropriate manner because the pertinent session data is saved within the content itself for processing on the server side. This is because the data from the session is processed on the server rather than on the client’s computer.
If you want to organise virtual film festivals or award screenings, you will need a platform that not only has the capacity to host these events securely but also provides additional capabilities such as geo-blocking and secure distribution. If you do not have a platform that meets these requirements, you will not be able to successfully organise these events. This is due to the fact that the platform will need to possess the capability of hosting these events within a protected setting. You will not be permitted to organise these events if you do not have access to a platform of this kind. You will not be able to carry out your intended action. It is quite possible that people will continue to celebrate on virtual platforms such as these even after the real-world events resume. This is the case even if the festivals that take place in the physical world are brought back to life. This is due to the fact that
they have been successful in both gaining new viewers and expanding their overall viewership, which has ultimately led to this result.